Barnard, L. (2019) The Canary and The Hammer, MACK.
Durden, M. with David Campbell (2016) Double Act: Art and Comedy, Liverpool: Lawn Creative.
Bobby, P. (2015) High Rise, Ffotogallery.
Barnard, L. (2014) Hyenas of the Battlefield, Machines in the Garden, GOST Books.
Durden, M. (2014) Photography Today: A History of Contemporary Photography, London: Phaidon Press.
Durden, M. with Ken Grant (2013) Double Take: Portraits from the Keith Medley, Liverpool: LJMUArchives.
Bobby, P. with essay by Joanna Lowry (2013) Curtain, Ffotogallery.
Barnard, L. (2012) Chateau Despair, GOST Books.
Durden, M. (2012) 50 Key Writers on Photography, London, Routledge.
Durden, M. (2012) Dorothea Lange, 3rd Edition, London: Phaidon.
Blaufuks, D. with essays by Drake, D., Campany, D., Oliveira, F., Durden, M., Price, D. and Little, E. (2012) Works on Memory, Ffotogallery.
Durden, M. (with David Campbell) (2007) Variable Capital, Liverpool University Press.
Ayisi, F. (2016) ‘Making Waves on International Women’s Day: Cameroonian Women’s Dynamism’ in Marion Arnold and Marsha Meskimmon (eds.) Home/Land: Women Citizenship, Photographies, Liverpool University.
Bobby, P. (2015) in Peter W Jones and Isabel Hitchman (eds.) Post-War to Post-Modern: A Dictionary of Artists in Wales, Gomer Press.
Durden, M. (2013) ‘Photography’s transformation in the digital age: artistic and everyday forms ’ in Gillian Youngs (ed.) Digital World: Connectivity, creativity and rights, London: Routledge.
Durden, M. (with David Campbell) (2013) 'The Chelsea Girls’ in Gary Needham and Glyn Davis (eds,) Warhol in Ten Takes.
Durden, M. (2012) ‘Dalla strada alla rete: l’estetica trasgressiva di Joachim Schmid’ in Roberta Valtorta (ed.) Joachim Schmid e le fotografie degli altri, Italy: Milan.
Durden, M. (2012) ‘Documentary Pictorial: Luc Delahaye’s Taliban, 2001’ in Geoffrey Batchen, Mick Gidley, Nancy K. Miller and Jay Prosser (eds.) Picturing Atrocity: Photography in Crisis, London: Reaktion.
Durden, M. (2012) Essays on Victor Burgin, John Szarkowski and Brian O’Doherty for Diana Newhall and Grant Pooke (eds.) Fifty Key Texts in Art History, London: Routledge.
Roberts, R. (2007) 'In Camera: Stories from the City’ in Robin Bloxsidge and Christoph Grunberg (eds.) The Creative Centre of the Universe: Liverpool and the Avant-Garde, Liverpool: Tate and Liverpool University Press.
Durden, M. (with David Campbell)(2017) ‘Crisis Aesthetics: Documenta 14’, review article, Journal of Greek Media and Culture.
Cowan, P. (2017) Analyzing Stylistic Patterning in Film to Establish the Cinematographer as a Coauthor: A Case Study of Gregg Toland, International Journal Projections, 11(1), pp. 16-37, DOI:http://dx.doi.org/10.3167/proj.2017.110103.
Cramerotti, A. (2015) 'The Hyperimage’ in Matei Bejenaru and Catalin Gheorghe (eds.) Vector – critical research in context. Post-Photography. University of Iasi: Romania, pp. 14-25.
Cowan, F. (2015) The Democracy of Colour, Journal of Media Practice, 16(2), Routledge.
Little, E. (2012) A History of the World: Daniel Blaufuks’ bookwork Terezín, Philosophy of Photography, 2(2), Intellect.
Durden, M. with David Campbell (2020) May You Live In Interesting Times, 58th Venice Biennale 2019, Journal of Visual Culture Blog.
Durden, M. (2020) Disneyfication by Theo Derksen, Book review in Lesculture.
Durden, M. (2018) Tom Wood ‘Interconnections and Correspondences’ in TILT magazine, Open Eye, Liverpool.
Durden, M. (with David Campbell) (2017) The Laughable Enigma of Ordinary Life, Elephant Magazine.
Durden, M. (2016) Glimmers of Perfection, essay for Peter Fraser’s book, Mathematics.
Bobby, P. (2012) 4th International Festival of Photography, Korean Society of Photography, China/South Korea.
Bobby, P. (2010) Photo Speaks 2010, 2nd International Festival for Photography and Video, The Society of Korean Photography (SKP)South Korea.
Bobby, P. (2009) Photo Speaks 2009, 1st International Festival for Photography and Video, The Society of Korean Photography (SKP), South Korea.